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Arbor!!

The Review!

 

By Darkzen

22/02/2026

 

After a decade of existence, wazzara unveil their fourth release - a full-length album forged from an alloy of darkness, weight and ethereal beauty, interweaving elements of Atmospheric Black Metal, Doom and Blackgaze.

 

Arbor is dedicated to those who do not fear tasting the untamed fruit. Its songs whisper of an ancient force buried but never broken, of voices once quieted that now rise again. We were never cut away from the tree of wisdom - we are its root, its trunk, its crown. Sapere aude. zessa (reborn) is a re-interpretation of the 2019 version (released on same-named EP). As the band has played the song live over the years, it has developped an additional persona which wanted to be documented through recording. All of the other songs were written between 2023 and 2025.

 

wazzara was created in 2015 as a solo project of Swiss singer and composer Barbara Brawand. Her first EP „zessa“, which was released in 2019, paved the way for all waters to flow further: George Necola joined the project in 2020 to add his magic as a co-composer and producer. Also, with the tides of time, a full live line-up gathered, and wazzara has been hexing the audience with untamed, hypnotizing and captivating sound experiences ever since.

 

Country: Switzerland

 

Style: Atmospheric post-Black Metal/ Doom

 

STUDIO LINE-UP on "Arbor"

 

Barbara Brawand - Vocals

Marcel 'Mäsi' Stettler - Guitar

Tom Kuzmic - Guitar

George Necola - Bass

Andrei Jumugä - Drums

 

Tracklist

 

9 Confines

Hollow

Her Ashes Down The River

Indigo Sleep

Dandelion

Nova

Oceans

zessa (reborn)

 

My Recommendation

 

On February 13, 2026, the new album Arbor, the fourth album from the Swiss band Wazzara, was released. Combining doom, blackgaze, and a dark, melancholic, and ethereal beauty, the album can be described as cohesive and focused on the work of shadows, transformation, and the connection with nature itself.

 

The album is a wall of sound, combining elements of intense doom with bright and highly atmospheric blackgaze. It features passages that are sometimes slow, mid-tempo, deep, and explosive.

 

The beautiful vocals, led by Barbara Brawand, range from roars and harrowing growls to dark, clean, and resonant passages, creating a powerful and complex experience.

 

The opening track, 9 Confines, serves as an introduction to the intense narrative nature of the entire album, with Hollow song we have a great style, with all this power of post pagan black doom metal very intense, we keep with the next song Her Ashes Down The River a great combinations of voices very sutil and dense, great sound of black metal style, The album has an excellent combination of heavy, atmospheric, and classic black/doom metal sound, very good balance intense and oppressive darkness with beauty.

 

Score

 

90/100

 

Info

 

http://www.wazzara.bandcamp.com

http://www.facebook.com/wazzaraofficial  

http://www.instagram.com/wazzara_official  

youtube.com/@wazzara

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Beautiful Disaster!!

The Review!

 

By Darkzen

22/02/2026

 

Lily Löwe is a Norwegian rock band rooted in melodic hard rock. They made their debut at Melodi Grand Prix 2022 with the song “Bad Baby”, and released their debut album “LÖWE” later that year, produced by Trond Holter. The album received strong acclaim — Norwegian newspaper Nettavisen gave “Bad Baby” a 9/10 rating, while Norway Rock Magazine wrote: “In addition, Lily Löwe has a voice with power, punch, and attitude.”

 

In 2025, Lily Löwe released five singles — “Wild”, “Demons”, “Puppet Master”, “Glitter & Gore”, and the title track “Beautiful Disaster” — from their upcoming sophomore album, set for release in early 2026. With their raw energy, melodic edge, and emotional depth, Liliy Löwe is a band to watch.

 

Band: Löwe

Country: Norway

Style: Hard Rock

Album Band Lineup:

 

Lily Löwe / Lill Sofie Wilsberg: Vocal

Adrian Sunde Bjerketvedt: Guitar

Eiliv Sagrusten: Drums

Patrik Svendsen: Bass

Stian Hansen: Guitar

 

Album Credits:

 

Mixed and Mastered: Jonas Holteberg Jensen (The Woods Norway)

Mastered for Vinyl: Steve Kitch

Demons - Producers: Ola Frøyen, Oscar Immanuel Mathisen, Jonas Holteberg Jensen

Co-producer: Adrian Sunde Bjerketvedt

Songwriters: Elsbeth Rehder, Ola Frøyen, Lill Sofie Wilsberg, Oscar Immanuel Mathisen, Adrian Sunde Bjerketvedt

 

Track Listing:

Demons

Haunted House

Puppet Master

Beg For Your Life

Beautiful Disaster

Glitter & Gore

Our Secret

Wild

Love Like This

 

My Recommendation

 

The album star with the song Demons, a very good hig sound and sound, with a riff very hard and melodic too, the powerful emotional vocals of Lill Sofie Wilsberg contrasted with heavy guitar work from band members with backgrounds in groups like Jorn and Suicide Bombers, with e next song Beautiful Disaster highlight the band's focus on vulnerability and power, with Haunted House and Puppet Master here the high-energy singles that showcase the band's, "dark" rock approach, in Glitter & Gore noted for having a "glam-punk" feel, and the closet he album we have the song Love Like This described as a standout track with significant emotional depth.

 

Beautiful Disaster is a collection of songs that explores the chaos and contrast between strength and vulnerability. The album moves between raw emotion and high energy, balancing heavy riffs, big hooks, and dark atmospheres. Musically, it combines modern production with the heart of hard rock blending powerful vocals, driving guitars, and catchy melodies with a dark edge.

 

Score

 

80/100

 

Info

 

https://www.lilylowe.com/

https://www.facebook.com/iam.lilylowe

https://www.instagram.com/IAM_LILYLOWE

https://www.tiktok.com/@lilylowe_  

Embers of a Dying World!!

The Review!

 

By Darkzen

15/03/2026

 

Mystfall is a symphonic metal band based in Greece. Created on 2023 by Marialena Trikoglou after her debut album ‘VANITY’. The band has already released their first album ‘CELESTIAL VISION’ back in 2023 with SCARLET RECORDS, which recieved highly acclaimed reviews by the media worldwide.

The second studio album of the Greek symphonic metal ensemble, led by the extraordinary voice of soprano singer Marialena Trikoglou, will seduce the listener and take him to a journey in a world of dark and dreamy cinematic atmospheres.

“Embers Of A Dying World” depicts an alternative dimension where dreams are alive and fighting with nightmares to keep the human spirit intact. The main concept of the album is about the consequences of every person’s actions on Earth, and each song is a story yet untold.

The album is going to be released on March 20th, 2026 with some gigs already booked in.

Style: Symphonic Metal

Members

Marialena Trikoglou Vocals

Dimitris Miglis Drums

Aris Baris Rhythm Guitars

Produced, mixed and mastered by Dionisis Christodoulatos (Sorrowful Angels) at CFN Recondings Studios, and illustrated by the mighty Giannis Nakos/Remedy Art Design (Kamelot, Amaranthe, Evergrey),“Embers Of A Dying World” will be released in digital & digipack format

Tracklist

Whispers In The Tempest

Embers Of A Dying World

Guardians Of The Earth

The Nectar And The Pain

Sleeper In The Abyss

Fading Memories

Crimson Dawn

Cosmic Legends

Echoes Of Archadia

Remnants Of Tomorrow

 

My Recommendation

 

The opening track and first single from the album is "Whispers in the Tempest," a powerful and intense orchestral piece where the guitars shine with masterful skill. Marialena's beautiful voice is smooth, resonant, and beautifully crafted in its timbre and range, as is the accompanying instrumentation. Embers of a Dying World raises the intensity slightly, with power metal-style drums and prominent chords. The symphonic orchestra returns in Guardians of the Earth, featuring violins, cellos, and violas. Fading Memories incorporates elements of melodic death metal, with higher-pitched clean vocals and a faster tempo, while Remnants of Tomorrow closes the album on a calmer, gentler note.

 

The album is a clear demonstration of Mystfall's musical mastery: melodic, symphonic, rhythmic, and harmonic in its entirety. It's classic symphonic metal with a modern, operatic style, accompanied by Marianela's beautiful voice! Fantastic vocal range and timbre. A great musical work for fans of the genre in general, right from the first song, "Whispers in the Tempest." With "Embers of a Dying World," we have a similar musical line, emphasizing the song's intro and picking up the pace a bit.

 

A great album with a unique modern and operatic touch!

 

Score

 

90/100

 

Links

 

https://mystfallofficial.com/

https://www.facebook.com/mystfallofficial/

https://www.instagram.com/mystfall_official/

https://scarletrecords.bandcamp.com/album/embers-of-a-dying-world

https://www.youtube.com/channel/UCdbkT5nTLTfoLQ491BYGiPA

https://www.youtube.com/@marialenatrikoglou7623

https://www.facebook.com/trikogloumarialena

https://www.instagram.com/marialena_official/

EP Song of Darkness!!

The Review!

 

By Darkzen

15/03/2026

 

In 2026, the band enters a new chapter with the release of the EP Song Of Darkness, marking the dawn of a creative cycle that expands both their sonic and conceptual horizons. Recorded at Mastersound Studio under Krull’s production, the record refines their signature fusion of orchestral depth and metallic intensity. It reveals a group at the height of its craft, balancing the sweeping scale of symphonic metal with an earthy, human pulse.

Lyrically, Song Of Darkness journeys into the shifting borders between myth, magic and history. The stories it tells of shadowed realms, dark times, and the courage that endures through loss, mirror timeless themes that have always guided the band’s vision. The title track "Song Of Darkness" is inspired by the medieval Icelandic saga of Gisli the Outlaw and takes the listener to times of murder and intrigue, guilt-ridden magical dreams and the hope of redemption.

Each song unfolds like a chapter in a saga: cinematic in scope, yet deeply personal in feeling. Siirala’s commanding and emotional performance brings the tales to life, her voice illuminating the storm of sound around her, while Krull’s growls anchor the music with raw force and conviction.

Country: Germany

Style: Symphonic Metal

Members

Elina Siirala - Vocals

Alexander Krull - Vocals

Florian Ewert - Guitar

Luc Gebhardt - Guitar

Dominik Prykiel - Bass

Simon Skrlec – Drums

Tracklist

Song of darkness         

Hall of the brave          

Until the last day

Roots eternal

My Recommendation

The new EP from Leaves Eyes, featuring Song of Darkness, kicks off with the title track, a soft, light, melodic, and rhythmic song. Elina's sweet voice is very noticeable throughout, maintaining that great range and register she's been showcasing for several years now! "Hall of the Brave" features a touch of folk metal with a brilliantly pronounced symphonic sound, and Alexander makes an appearance, creating a good vocal combination between the two. Overall, the new EP is intense, combining heavy, dark, and romantic elements with a cinematic feel, while maintaining that understated folk metal style with symphonic elements in Elina's vocals!

Elina Siirala's vocals deliver a powerful, light, and smooth interpretation, sometimes providing the lead vocals and, at times, Alexander's heavy voice, as in the song "Until the Last Day." The EP focuses primarily on themes related to Viking mythology.

Musically, the EP showcases the band's mastery of musical contrasts. Soaring choirs and soaring strings rise alongside powerful riffs, while folk-inspired melodies whisper in the darkness. From the orchestral grandeur that opens the record to the final echoes of the closing chorus, Song of Darkness creates an atmosphere of tension and release that reflects both the brutality and the beauty of the legend.

Score

90/100

Links

https://www.leaveseyes.de

https://www.facebook.com/leaveseyesofficial

https://x.com/Leaves_Eyes

https://www.instagram.com/leaveseyesofficial/

https://www.youtube.com/LeavesEyesOfficial

Reborn to Light!

The Review!

 

By Darkzen

26/04/2026

 

AEON GODS presents their second studio album, "Reborn To Light." The German band plays symphonic power metal, telling a story. AEON GODS is a band with an excellent sound. In less than an hour, they present ten songs that contain all the elements they showcase.

AEON GODS plays a fairly fast symphonic power metal, giving the drummer ample room to demonstrate his double bass drum technique. The guitars that accompany this sound are very skillful in creating a powerful sound without losing the melodic touch. Furthermore, the vocals feature beautiful harmonies.

Country: Germany

Style: Symphonic Power Metal

Members

Alex ‘Sol'Ra-tu’ Hunzinger - Vocals

Anja ‘Su'en -Chel’ Hunzinger - Keyboards

Pat ʹUr'Athtarʹ Hesse - Guitars

Robert ‘Abzu'Kean’ Altenbach - Guitars

Elias ‘Iš'Taru’ Knorr - Drums

Tracklisting:

Birth Of Light

Flames Of Ember Dawn

Barque Of Millions (Amduat pt.I)

The Sacred Union (Amduat pt.II)

Soldiers Of Re (Amduat pt.III)

Reborn To Light (Amduat pt.IV)

Feather Or Heart

Rebellion (Re’s Dying Reign pt.I)

Blood and Sand (Re’s Dying Reign pt.II)

Farewell (Re’s Dying Reign pt.III)

 

My Recommendation

 

AEON GODS presents their Symphonic Power Metal with a dizzying and fast rhythm, allowing the drummer to showcase his impressive double bass drum technique. The accompanying guitars achieve a powerful harmony without losing the melodic aspect.

 

Reborn to Light (2026) by Aeon Gods is a symphonic power metal album with an Egyptian narrative and theatrical staging. It features fast tempos from the very beginning, powerful and melodic guitar solos, and a prominent keyboard! The album boasts a crisp and crystalline production, with predictable and energetic structures that can feel somewhat repetitive in other parts of the album. Representative tracks such as "Birth of Light," "Feather or Heart," "Rebellion," and "Blood and Sand" stand out for their drama and powerful, melodic chord progressions and catchy choruses.

 

I think it's one of the best symphonic power metal albums of the year as well, due to its intense style of the genre, which combines high speed, vocals, harmony and high melodic sensitivity.

 

Score

 

90/100

 

Links

https://aeongods.com/

https://www.facebook.com/AEONGODS/

https://www.instagram.com/aeongods/

https://www.youtube.com/@aeongods

Beyond The Dawn!!

The Review!

 

By Darkzen

26/04/2026

 

Anthea is a symphonic metal band from Los Angeles, California, known for their distinctive theatrical approach and dynamic blend of symphonic, melodic, and progressive metal elements. Founded in 2015 by vocalist and keyboardist Diego Valadez, Anthea emerged from a desire to explore a more expressive and cinematic musical language combining powerful metal foundations with strong melodic sensibilities and dramatic atmospheres.

With the single "Beyond The Dawn", Anthea presents a mature and confident chapter in their journey, offering a cohesive yet varied listening experience shaped by themes of growth, transition, uncertainty, and renewal. Blending compelling melodies, powerful orchestration, and expressive songwriting, the band continues to establish itself as a distinctive voice within modern symphonic metal.

Band: Anthea

Country:  USA

Style: Symphonic/Progressive Metal

Members

Diego Valadez: Lead Vocals, Keyboards

Juan Pina: Rhythm Guitars, Harsh Vocals

Marcos Mejia: Lead Guitars

Gabby Hawk: Bass

Peter Vasquez: Drums

 

The Sirens (Backing Vocals)

Mel Del Real: Backing Vocals

Astrid Anaya: Backing Vocals

 

Track Listing:

Beyond The Dawn

Phantom in the Masquerade

The Lost Soul

Awakening (Song for Spring)

Bygone Age (Chicxulub)

From Shadows to Light

Crystal Moon

Wanderer’s Quell

Whispers of the Heart

Duality of Gaia

Burnin’ in the Third Degree

 

My Recommendation

 

The album by the American band Anthea is a blend of melodic, symphonic, and modern progressive metal with distinctly cinematic elements. It's energetic, powerful, and melodic, with a potent sound that combines clean and harsh vocals. It features 11 tracks, including one instrumental and one cover.

 

We begin with the title track, "Beyond the Dawn," a heavy, powerful, and dynamic song with fast, intense blast beats interwoven with excellent orchestral moments. Next up is "Phantom in the Masquerade," a standout track that is highly theatrical, cinematic, and memorable, boasting a strong melodic hook.

 

Then comes "Awakening (Song for Spring)," a melodic song that feels like a spiritual sequel to "Song for Winter" from their previous album. Next is "Bygone Age (Chicxulub)," a curiously titled track. It's a heavy song, but it maintains the same style and feel, with a scientific theme and an epic feel. Then comes "Crystal Moon," an instrumental track with a dreamlike, atmospheric, and folk-metal style. Finally, we finish with "Burnin' in the Third Degree," an eighties-inspired cover of the Tahnee Caine and Tryanglz song from the Terminator movie, which keeps with the band's tradition of a great action scene!

 

A great album with its own unique sound and style!

 

Score

 

90/100

 

Info

 

https://www.facebook.com/antheametal

https://www.instagram.com/antheametal

The Force of Nature!

The Review!

 

By Darkzen

24/05/2026

 

Much can be said about Dutch epic symphonic metalers Epinikion, but their story certainly is unique. Hailing from the Netherlands, former athletes Renate de Boer and Robert Tangerman initially started an ambitious project to write a rock opera album. With no musical background to speak of, but with incredible talent, inspiration, and sheer will, the critically acclaimed debut Inquisition came to life.

Epinikion is a ‘hymne for the winner’. In Ancient Greece the heroic stories of athletes were sung in an epinikion after their victories at major events. A fitting band name for musicians rising from the ashes of their former sports careers, as reflected by the phoenix in the band’s logo.

With Kimberley Jongen, Maarten Jungschläger, and Rutger Klijn joining in 2023, and Michal Gis completing the line-up in 2024, the band set its basis for a second album, with recordings being completed in 2025.

From the very beginning Epinikion combined heavy guitar riffs with subtle progressive and heavy metal influences, complimented with harmonic and bombastic orchestral lines. With their new music, the band takes it a step further, blending each bandmember’s musical influences and creativity into a unique and refreshing sound.

Epinikion is ready to unleash their upcoming album The Force of Nature upon the world. Mixed and mastered by Jacob Hansen, and featuring artwork from Giannis Nakos, the album reflects the band’s conscious decision to commit and go big, and it promises to be a blast of a successor to their debut…

Country: Netherlands

Style: Epic symphonic metal.

Members

Kimberley Jongen  Vocals

Renate de Boer Keys

Robert Tangerman Rhythm guitar

Maarten Jungschläger Lead guitar

Rutger Klijn Bass

Michal Gis Drums

Track List:

The Moon, the Sun and the Stars

The Force of Nature

Lessons in Life (Are for Free)

Come into My World

Your Ultimate Joy

I Thought You Were on My Side

Don’t Wake up the Dead

Monsters in My Head

Two Hearts

Run with the Wolves

What Goes up Must Come Down

Eyes Will Glow

 

My Recommendation

 

Released on February 6, 2026, Epinikion's The Force of Nature is a fine independent symphonic metal album from the Netherlands. It features a musical style with cinematic orchestration, powerful, melodic, and smooth riffs, and soft yet distinctive female vocals.

It's classic epic symphonic power metal with powerful guitars, symphonic sections, and well-crafted orchestral atmospheres. Kimberley Jongen's beautiful vocals stand out for their clarity, smooth register, clean sound, and power, perfectly complementing the musicality. Tracks like the opening song, "The Moon, the Sun and the Stars," open the album with that cinematic feel, an instrumental introduction with a symphony of keyboards, confident chords, enhanced percussion, and an immersive atmosphere. And the rest of the album continues to offer excellent performances!

It's a good production, one of the most promising releases in European symphonic metal so far, but at times there are similarities between some songs and styles that can be somewhat predictable. Nevertheless, it's undoubtedly a good album from 2026.

For fans of: Epica, Kamelot, Nightwish, Delain, After Forever, Within Temptation, Serenity, Xandria, Rhapsody of Fire, Two Steps From Hell, Fleshgod Apocalypse, Symphony X.

Score

 

85/100

 

Links

https://www.epinikion.org

https://www.instagram.com/epnikionofficial

https://www.facebook.com/epinikion

https://www.tiktok.com/@epinikionofficial

http://www.youtube.com/epinikion

The Battle Of The Dead!!

The Review!

 

By Darkzen

23/05/2026

 

Embrace Of Souls is an Italian power metal band founded by drummer and composer Michele Olmi, conceived with the aim of bringing together talented musicians around a shared vision rooted in collaboration, brotherhood, and a deep passion for classic metal. Initially born as a studio project, the band took shape with the release of their debut album "The Number Of Destiny" in 2021, receiving positive feedback on an international level and notable acclaim in Japan.

Drawing inspiration from ’80s and ’90s heavy and power metal, as well as the epic and symphonic metal of the early 2000s, Embrace Of Souls developed a sound characterized by powerful riffs, epic atmospheres, and strong melodic sensibility. Over time, the project evolved into a full live band, allowing the group to further consolidate its artistic identity and deepen its expressive range.

A key element of this evolution is the current vocal pairing. Giacomo Rossi, already involved in previous releases, now takes on a central role as lead vocalist while Martina Mazzeo, an accomplished soprano vocalist, adds a symphonic and operatic dimension to the band’s music. Together, their voices embody the duality that defines Embrace Of Souls: light and darkness, power and elegance, intensity and emotion.

Having shared the stage with renowned acts such as Domine, Vision Divine, Stratovarius, Sonata Arctica, and Rhapsody Of Fire, Embrace Of Souls continue to refine their identity while looking toward the future. The band is now working on new material, further developing their epic and narrative-driven approach to solidify their presence on the international power metal scene.

This new chapter is marked by a renewed line-up. Giacomo Rossi steps forward as lead vocalist, delivering a powerful and expressive performance, while Martina Mazzeo’s soprano vocals add a theatrical dimension. Their interplay reinforces the balance between power metal intensity and symphonic elegance, a dualism of light and dark that runs throughout the album.

The album also features a special guest appearance by Morby (Domine), further strengthening the connection with the classic Italian power metal tradition.

"The Battle Of The Dead" was mixed and mastered by Alessio Garavello at Rogue Studios, London, enhancing the clarity, impact, and cinematic depth of the band’s sound.

Country: Italy

Style: Symphonic Power Metal

Line-up:

Giacomo Rossi – Vocals

Martina Mazzeo – Vocals

Edward De Rosa – Guitars

Xavier Rota – Bass

Davide Baldelli – Keyboards

Michele Olmi – Drums

Track Listing:

The Battle Of The Dead

Eversun

The Plague

The Gathering

Spine

Who Can Save Us

Betrayal

The Dark Lord

The War (feat. Morby)

Sacrifice

Desolate Lands

 

My Recommendation

 

The new album! Unlike previous releases, this work is an 11-track concept album where the music is strictly subordinate to and dominated by the narrative of an epic medieval fantasy. The arrangements are designed to simulate cinematic dramatic art, where harmonic tensions, tempo changes, and textural density reflect the progression of the story.

 

Musically, the album is firmly rooted in the tradition of late 80s and 90s European power metal. The classical musical influence within Italian metal is quite noticeable, and the technical pillars of its instrumentation stand out for:

 

Double-Kick Rhythm: Michele Olmi drives the rhythm section, operating with controlled aggression and precise double-kick patterns. This imbues the compositions with fast, militant marching rhythms that support the weight of the denser tracks.

 

Neoclassical and Melodic Guitars: Edward De Rosa's string work stands out for its balance between crisp, classically inspired riffs and highly melodic solo passages, which constantly interact with the keyboards.

 

Layers of Keyboards and Orchestration: Davide Baldelli's keyboards play a crucial role, injecting massive orchestral arrangements, choral elements, and harmonic pads that provide both impact and clarity and direction, preventing the mix from becoming saturated or losing technical definition.

 

One of the most enriching instrumental aspects is the interplay of two vocal lines, exploiting the classic "light/dark" technique with:

 

Giacomo Rossi leads with a powerful, expressive, and mid-to-low vocal performance that lays the foundation for the album's most tense and dark sections.

 

Martina Mazzeo, with her operatic soprano technique, introduces a theatrical and neoclassical dimension that elevates the orchestral melodies to purely cinematic territory.

 

As an added bonus for old-school enthusiasts, the track "The War" features a special guest appearance by vocalist Morby (from the veteran Italian band Domine), injecting an extra dose of drama and traditional character into the album's final stretch.

 

A highly recommended work to analyze and enjoy from the perspective of the symphonic arrangement and the technical execution of the drums in fast tempos!

 

Score

 

90/100

 

Links

 

https://www.instagram.com/embraceofsouls/

https://www.facebook.com/embraceofsoulsofficial/

Interstellar Madness!!

The Review!

 

By Darkzen

24/05/2026

 

Moonlight Haze and extraordinary vocalist Chiara Tricarico (Avantasia) brought symphonic power metal to the next level throughout the tracklist of their fifth studio release, indulging in extremely mighty, epic and theatrical moments.

Guided by striking instrumentals parts, catchy and epic melodies, and truly introspective lyrics, the EP once again proves the talent and boldness of the Italian unit.

“Interstellar Madness” is an invitation to take on a journey through cosmic landscapes and beyond, led by a whirlwind of emotions – madness here is to be intended as a deeper and overwhelming way of experiencing reality, investigating and going beyond what lies on the surface of things in order to be able to discover hidden parts of the inner self.

Country: Italy

Style: Symphonic Power Metal

- brand new EP for the Italian symphonic power metal stars

- produced by Sascha Paeth (Avantasia, Angra, Kamelot, Edguy)

- mixed and mastered by Simone Mularoni at Domination Studio (Wind Rose, Vision Divine, Twilight Force)

- cover & artwork by Beatrice Demori/Oround

MOONLIGHT HAZE

Chiara Tricarico - vocals

Marco Falanga - guitar

Alberto Melinato - guitar

Alessandro Jacobi - bass

Giulio Capone - drums, keyboards

Tracklist

 

Moonlight Legion

Lost In Moonlit Symphonies

We Are Fire

Shine

Interstellar Madness

Interstellar Madness: Finale

 

My Recommendation

MOONLIGHT band will release their fifth album, Interstellar Madness, on May 22, 2026, via Scarlet Records. A six-track EP brimming with optimism and energy!

The album kicks off with “Moonlight Legion,” a short track with an oriental touch and a victorious, fast, and melodic feel, featuring Chiara's beautiful vocals! Next up is “Lost in Moonlit Symphonies,” a fast and melodic opening track with choruses and fast, harmonic rhythms. The third track, “We Are Fire,” has another light oriental feel, with strong and courageous choruses and a steadily building intensity.

“Shine” maintains a dizzying, harmonious, and melodic rhythm once again! Another exciting track follows, culminating in the final two tracks: “Interstellar Madness” and “Interstellar Madness: Finale.” The first track is a lengthy piece that includes a prelude, with three movements (or technical musical terms for composition) consisting of three acts, a concertato, and an intermesso, apparently sung in Italian. It concludes with an instrumental track featuring a brilliant keyboard performance by Giulio Capone.

The EP offers a fusion of fast, melodic, harmonic, and furious guitars, with a robust yet understated bass line that delivers remarkable energy. The beautiful Chiara Tricarico shines with her ability to perfectly balance operatic moments with powerful notes, soaring harmonics, and metal-infused vocals.

We have a great EP here: intense, melodic, and full of energy, featuring classic Symphonic Metal and Power Metal with that brilliant Italian touch!

Score

90/100

Links

https://www.facebook.com/moonlighthazemetalband

https://www.moonlighthaze.com/

https://www.instagram.com/moonlighthazeband

https://x.com/MoonlightHBand

https://www.youtube.com/@MoonlightHaze

https://moonlighthaze.bandcamp.com/album/interstellar-madness

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Overwhelmed!!

The Review!

 

By Darkzen

14/06/2026

 

LUFEH is a sophisticated fusion of progressive rock, metal, and jazz influences, creating a sound that blends technical complexity with deep musical emotion. Founded by drummer Lufeh, the band has evolved over the years, gaining recognition for its unique approach to blending genres and pushing musical boundaries.

 

This latest change comes as LUFEH prepares for the release of their second studio album, Overwhelmed. Recorded at the renowned Sunset Sound in Los Angeles, CA, the album showcases a thrilling mix of progressive rock, fusion, and metal influences. Produced by Gera Penna, LUFEH's talented keyboardist and back vocalist, Overwhelmed features 8 tracks that are both intricate and emotionally charged, representing the band’s growth and refinement of sound.

 

"This album is the result of a lot of dedication, maturity, and the realization of a dream come true. Recording at the historic Sunset Sound studio here in LOS ANGELES, where the biggest names in world music recorded their hits, was truly an unforgettable experience. We have impactful songs, heavy ballads, a good dose of doublé pedal on drums, guitar, bass, and keyboard solos, all mixed with the incredible voice of Genny Luke."

 

Country: USA/Brasil

 

Style: Progressive Rock / Metal

 

Members:

 

Album and Live Band Line Up:

 

Duca Tambasco – bass and backing vocals

Deio Tambasco – guitar and backing vocals

Gera Penna – keyboard and backing vocals

Lufeh Batera – Drums

Ginny Luke – vocals (featuring)

 

Track Listing:

 

He Commands The Sun and The Stars

Breathe

Double Dip

Overwhelmed

Feels Like I’m A Ghost

Live The New Today

War of Emotions

End of the Tunnel

 

My Recommendation

 

The new album boasts a rock-solid rhythm section and melodic reinvention. The album's backbone remains a feast for lovers of rhythmic grooves and syncopation. Drummer and founder Lufeh Batera, along with bassist Duca Tambasco, solidify a formidable rhythm section that moves with astonishing ease between heavy rock and metal, and the fluid transitions of jazz fusion. The addition of Deio Tambasco on guitar injects a remarkable freshness into the band's sound, contributing both powerful riffs and expressive solos. However, the most significant sonic enhancement of this work is the inclusion of guest vocalist Ginny Luke. Her dynamic range not only elevates the album's vocal textures, but her violin playing also transforms the group's atmosphere. In key tracks such as the eponymous "Overwhelmed" and the ambitious "Feels Like I'm A Ghost" (designed in the spirit of a mini rock opera), Luke's violin adds a neoclassical and melancholic dimension that greatly enriches Gera Penna's keyboard work.

 

The album between meter and atmosphere; The musical journey starts strong in "He Commands The Sun and The Stars", a track that from the perspective of the drums stands out for its complex rhythms, but which ends in a highly accessible chorus. The band knows when to slow things down and showcases its versatility in "Breathe," a song with a more optimistic and direct vibe. One of the high points in terms of experimentation is "Double Dip." Here, the group masterfully alternates between time signatures, perhaps 6/8 and 4/4, crowning the experience with the introduction of a Bulbul Tarang (an exotic stringed instrument that breaks with the traditional conventions of Western prog). Towards the second half, the album explores denser nuances. "Live The New Today" emerges as the album's most instrumentally rich composition, moving from serene passages to dizzying double-bass drum bursts with power metal undertones, complemented by a section of linked solos where the bass, guitar, and violin engage in a duel. Meanwhile, "War of Emotions" brings out the band's "metal soul," relying heavily on keyboard textures to maintain cohesion with the rest of the work. The album closes with "End of the Tunnel," a piece that embraces fusion with a superb keyboard solo in its middle section, and concludes with a hypnotic, cyclical guitar riff, leaving a sense of technical boundlessness.

 

Lufeh has delivered a technically sound album, ideal for fans of titans like Dream Theater, Rush, or Haken, but with a fluidity and focus on melody that sets it apart from the sterile and commonplace pyrotechnics of other styles. A solid, sophisticated, and highly enjoyable comeback.

 

Score

 

80/100

 

Links

 

https://www.lufehband.com/

https://www.youtube.com/lufehband

https://www.instagram.com/lufehband

Shadows and Dust!!

The Review!

 

By Darkzen

14/06/2026

 

Forged in Vancouver, Canada, in 2011, Iron Kingdom has spent fifteen years carrying the torch for classic Heavy Metal with unwavering conviction. Inspired by the genre’s titans, Iron Maiden, Judas Priest, Helloween, The Scorpions, and Rush—the band built its identity on electrifying stage presence, intricate twin-guitar harmonies, and a steadfast devotion to the melodic, adventurous spirit of Traditional Metal. As the band puts it, they formed because modern Metal had “forgotten about the melody, the stage show, and the accessibility of the music,” so they chose to “pick up the torch and do it ourselves.”

Now, in 2026, Iron Kingdom enters a defining moment with the release of their sixth studio album, ‘Shadows and Dust’, arriving June 6, 2026, a date that symbolically aligns with both their 15th anniversary and the 82nd anniversary of D-Day. As the band notes, “The release of our 6th studio album… coincides with our 15th anniversary… You could say the planets aligned.” ‘Shadows and Dust’ marks several firsts and milestones:

It is the first album recorded entirely in the band’s own home studio, a major step in their long-standing DIYethos.

It showcases a darker, more emotionally charged lyrical landscape, exploring themes of death, impermanence, hardship, and resilience.

Musically, it blends the band’s classic Heavy Metal roots with new textures, progressive touches, and a renewed sense of storytelling.

Its release show will see Iron Kingdom headlining Vancouver’s Rickshaw Theatre, a venue where they once opened for their heroes, now a symbol of how far they’ve climbed.

The album’s creation reflects the band’s collaborative maturity. Songs were developed through jam-based writing sessions, where riffs, lyrics, and concepts evolved organically. As Leighton describes, lyric inspiration often comes from “books, and sometimes movies… as long as it’s thought-provoking,” while Chris emphasizes the band’s commitment to crafting albums that take listeners on a journey.

Across six albums, Iron Kingdom has transformed from a Hard-Rock-leaning young band into a fully realized Traditional Metal powerhouse. Their sound, described by Chris as “Classic, Powerful, Epic, Adventurous, Melodic”, draws from classic Heavy Metal, Power Metal, Progressive Metal, and Neo-Classical influences. Yet despite their evolution, their mission remains unchanged: to deliver raw, energetic, no-click-track, nobacking- track Heavy Metal with the spirit of the genre’s golden age. Their live shows remain a cornerstone of their identity, “a real force on the live stage,” commanding attention with movement, musicianship, and authenticity.

Fifteen years in, Iron Kingdom stands as one of Canada’s most dedicated champions of Traditional Heavy Metal. Their journey, marked by relentless touring, lineup changes, near-disasters, and triumphant reinventions, has shaped a band that thrives on perseverance and passion.

With ‘Shadows and Dust’, Iron Kingdom enters its next era with sharpened purpose, renewed fire, and a sound that honours the past while forging boldly ahead. Their story is one of endurance, evolution, and the unbreakable power of Heavy Metal.

Country: Canadá

Style: Traditional Heavy Metal (NWOTHM)

Album and Live Band Line Up:

Chris Osterman – Lead Guitar / Lead Vocals

Max Friesen – Drums

Megan Merrick – Lead Guitar

Leighton Holmes – Bass Guitar

Track Listing:

Defenders

Eternal Emperor

Dreamless Sea

Deadhouse Gates

Line Of Fire

Blood And Steel

Shadow Of Time

Dark Demands

Starlight

Sacred Fire

 

My Recommendation

 

The album kicks off with a bang in "Defenders," a fast, heavy track with enormous emotional depth inspired by the Battle of Gdansk. Musically, it's a pure adrenaline rush with hints of Primal Fear and Tyran Pace, combining power and melancholy. Next up, "Line Of Fire" shakes the speakers with a devastating riff by Merrick that directly evokes Megadeth's golden age, focused entirely on speed and razor-sharp solos. This continues until the final stretch, when "Dark Demands" emerges once again from the mind of Megan Merrick, who manages to craft a dark and malevolent track that pays direct tribute to the sound of Judas Priest's Painkiller. It's followed by "Starlight," an interesting amalgamation where the drums pay homage to the band's roots, crossed with guitar influences in the style of Angel Witch. The curtain falls masterfully with "Sacred Fire," listed by the band themselves as one of their favorites. a timeless burst of energy filled with epic riffs reminiscent of Iron Maiden and Dio that promises to become an indispensable pillar of their shows.

 

The album features a Twin Guitar Attack and a "Rock 'n' Roll/Heavy Metal" approach. While the band's stylistic core continues to pay homage to titans like Iron Maiden, Judas Priest, and Helloween, Shadows and Dust flirts with a subtle and refreshing Rock 'n' Roll tinge in its overall structure, injecting highly accessible hooks underpinned by impeccable technical arrangements. A guitar duel and devastating riffs—in fact, the tandem between Chris Osterman and Megan Merrick is the driving force of the album itself. The album masterfully transitions from breakneck speeds akin to traditional thrash to anthemic mid-tempos, with bassist Leighton Holmes providing a highly dynamic wall of low frequencies, while drummer Max Friesen delivers performances ranging from heavy, military-marching rhythms to dynamic beats reminiscent of the band's early years.

 

Osterman commands the vocal front with his characteristic high range, but on this occasion, he experiments with more aggressive phrasing and greater melodic movement throughout the songs, precisely adapting to the album's somber tone.

 

Shadows and Dust is a solid statement of intent. Iron Kingdom demonstrates that it's possible to mature and explore new musical textures (adding touches of thrash, speed, and progressive passages) without abandoning the melodic core and accessibility of classic heavy metal.

 

Score

 

85/100

 

Links

 

https://www.iron-kingdom.com

https://www.facebook.com/ironkingdomofficial

https://www.instagram.com/iron_kingdom

https://x.com/iron_kingdom

https://www.youtube.com/c/IronKingdom

Sons of the Abandoned!

The Review!

 

By Darkzen

19/07/2026

 

BLOODHUNTER is an extreme metal band born in Galician lands (Spain) in 2008 from the hand of sole founding member and main songwriter, DANI ARCOS. After several changes in their lineup and concept, DIVA SATANICA joins the band in 2009, whose guttural vocal assault helped drift the band into more extreme territories.

Country: Spain

Style: Melodic Death Metal / Extreme Metal

Members

Dani Arcos       Guitars

Diva Satanica   Vocals

Guillermo Starless        Guitars

Adrián Perales  Drums

Fabian Tejeda   Bass

Tracklist

The Devil's Own

The Outspoken

Threshold Of Hell

Ephemeral Youth

Sons Of The Abandoned

No One Beats Death

Code Aeternam

The Path That Never Ends

The Night Is Darker Before the Dawn

Masters Of DeceiveHuman Insecticide

 

FERNANDO RIBEIRO - Guest Vocals on “Threshold of Hell”

Produced by DANI ARCOS & TUE MADSEN

Mixed and Mastered by TUE MADSEN at ANTFARM STUDIO

Recorded by CARLOS SANTOS at SADMAN STUDIOS

Artwork and Logo by GUSTAVO SAZES

Band picture by JAVIER BRAGADO

My Recommendation

The album boasts a powerful guitar sound and blistering speed. The musical core of the album is distinguished by its massive and crisp production, where every extreme frequency serves a clear and potent purpose.

The onslaught of virtuosic riffs and solos makes the guitars the undisputed driving force of the band. The virtuosity in the solos is remarkable for its speed and neoclassical precision, combining advanced techniques such as sweep picking and minor scales that inject a somber and heavy, yet strangely harmonious, atmosphere. The rhythmic riffs are sharp, heavy, and tuned low, lending a brutal density to the compositions.

In the rhythm section and "Blast Beats," the drumming on this album is a veritable whirlwind. The performance stands out for its fluid transitions between thrash march rhythms, complex syncopation, and relentless use of blast beats in the most climactic sections. The bass acts as a perfect anchor, providing a subterranean percussive roar that gives body to the wall of guitars without overwhelming the mix.

As for the vocals, we have harrowing gutturals and a commanding presence. The main registers range from the high-pitched shriek of black metal to the deep growl of death metal, maintaining impeccable meter that follows the rhythm guitars' beat. As always, the powerful voice of Diva Satánica!

Unlike previous releases, Sons of the Abandoned features a greater emphasis on layered vocals in the choruses, creating walls of sound that heighten the sense of urgency, desperation, and ferocity demanded by the album's concept.

Despite the inherent brutality of the genre, the album breathes thanks to excellent tempo management. The band introduces subtle instrumental intros and passages where clean guitars or brief atmospheric textures prepare the ground before the next explosion of distortion. This makes the album, viewed as a whole, dynamic, addictive, and highly enjoyable for fans of technical metal.

An impeccable work that demonstrates the extraordinary health of extreme metal made in Spain.

Score

90/100

https://www.bloodhunter.net/

https://www.facebook.com/BLOODHUNTEROfficial

https://www.youtube.com/channel/UCRS1awFDhiWpB3xGz0-2GFg

https://www.instagram.com/bloodhunterband/

https://x.com/BLOODHUNTERBand

https://bloodhunter.bandcamp.com/

Grey Hound!!

The Review!

 

By Darkzen

19/07/2026

The Hardkiss return with Grey Hound — their fifth studio album and the band’s heaviest, darkest and most sonically experimental record to date.

Built as a fully conceptual work, Grey Hound consists of 12 tracks plus Intro and Outro, all revolving around one central figure: Time.

Named after the fastest dog breed in the world, the greyhound becomes a metaphor for time itself — relentless, untouchable, but ultimately healing. Across the album, Time is portrayed not as an enemy, but as the only force capable of restoring, revealing and saving.

“Time is the only thing that heals human souls. The only thing that shows who was right and who was wrong. The only thing that can save us,” says Julia Sanina.

The album opens with an Intro where Time directly addresses the listener, setting the tone for the entire record. A recurring visual character — a silent figure in a grey suit carrying a briefcase — appears throughout the album’s visuals and videos as the physical embodiment of Time observing human fate.

Written largely throughout 2025 during a deliberate creative hiatus, Grey Hound marks a significant stylistic shift for the band. While maintaining The Hardkiss’ cinematic melodic identity, the album pushes deeper into darker and heavier textures than ever before.

“We wanted to keep the balance between Hard and Kiss,” Sanina explains. “Musically, this is probably our heaviest album. But we kept the cinematic and dramatic melodicism. Music helps people process and survive the stages we are all going through now.”

Most of the album is performed in English, alongside two Ukrainian-language tracks — “Ursula” and “1000”. Lyrically, the record moves between intimacy and wider social reflection, touching on love, desire, separation and displacement. Tracks such as “Day After Day” and “Stay” speak directly to people scattered across the world and cut off from home and loved ones, a fate shared by millions today around the globe.

All songs were written by Julia Sanina and Val Bebko.

The album also features a collaboration with British rock band The Hara. The partnership began unexpectedly via Instagram after Sanina publicly praised the band’s online videos, leading to a fast-moving creative exchange and one of the album’s most explosive tracks.

 

Country: Ukrania

Style: Hard Rock Alternativo / Synth-Rock / Industrial

Members

Julia Sanina vocals and piano

Valeriy Bebko guitars, synths and programming

Klym Lysiuk bass and synths

Ievgen Kibeliev drums

Tracklist

Intro

Crush

Take Me To The Start

Aiaiai

Nice

Day After Day

1000

Ursula

Underwater

Tenderness

I Love You

Stay

Opera

Outro

 

My Recommendation

Ukrainian band The Hardkiss returns to the forefront of the alternative scene with "Grey Hound," their fifth studio album. Conceived during a much-needed creative hiatus in 2025 by the songwriting duo of guitarist and producer Val Bebko and vocalist Julia Sanina, this album stands as an ambitious concept record revolving around the figure of Time: that indomitable, elusive pursuer who, at the end of the day, manifests not as an enemy, but as an inevitable healing force.

Grey Hound is, without a doubt, the heaviest, darkest, and most experimental work in the band's discography. Critics are already pointing to it as a turning point where the group distances itself from its standard pop formulas to fully immerse itself in industrial and synth-rock textures. However, the quintet manages to maintain its characteristic signature sound: an impeccable balance between the aggression of alternative rock and highly cinematic, melodic passages.

Throughout its 12 tracks (framed by an Intro and an Outro), the band adopts English as the primary language of the work, a decision that globalizes its message. However, the pieces performed in their native Ukrainian, such as "1000" and "Ursula," act as the album's deepest and most emotional peaks, demonstrating that vulnerability knows no linguistic boundaries.

Notable tracks "Bloodsuckers" and "Assimilation": These songs deliver a dose of pure adrenaline to the album. Intense, ultra-powerful sonic experiences driven by an instrumental rage that devours the speakers. "Opera": The flip side of the coin. A track unanimously praised for its immense emotional weight and expansive sense of grandeur. "I Love You": One of the album's undisputed climaxes. This explosive collaboration with the British band The Hara stands out as an exercise in pure cathartic energy and devastating riffs. "Day After Day" and "Stay": Ballads and mid-tempo songs of profound vulnerability. Lyrically, these tracks connect directly and painfully with the harsh reality of displaced people around the world. "Ursula": A track enveloped in a dense and intense rock atmosphere, tailor-made to showcase Julia Sanina's imposing vocal power and range. "Outro" (Hidden Track): The album's closing track rewards the listener who stays until the very last second with an avant-garde disruption guided by sophisticated saxophone arrangements.

 

In an era dominated by digital singles, Grey Hound stands out as an act of rebellion and a cathartic work that demands to be heard as a whole. Lyrically, the album masterfully moves from the intimacy of love and separation to a stark social commentary on displacement. The Hardkiss has delivered a mature, sophisticated, and much-needed work.

Score

85/100

Links

https://www.thehardkiss.com/

https://www.instagram.com/the_hardkiss

https://www.facebook.com/THEHARDKISS/

https://x.com/the_hardkiss

Velvet Ocean band: release a metal version of the 90s hit "Life", featuring Mr. Lordi!

The Single!

The Review

 

By Darkzen

02/08/2026

 

Information

 

In the spirit of the Eurovision Song Contest and to celebrate the 20th anniversary of Lordi’s historic victory at the Eurovision Song Contest 2006, the track is being released on May 15. The release coincides with the eve of a special Lordi Eurovision performance – Hard Rock Hallelujah!

VELVET OCEAN is an alternative metal band from Finland. The band is known for pushing the boundaries of metal by combining heavy music with pop influences, symphonic layers, and cinematic elements. Their goal is to create dynamic compositions that balance delicate atmospheres with heavier, more intense moments.

With two album cycles underway, eight singles already released, and a forthcoming cover EP featuring Mr. Lordi, VELVET OCEAN continues to build a distinctive international identity within the alternative metal scene.

Style Musical: Alternative Melodic Metal

Additional info:

Composer - Martin Bo Erik Erikson

Lyricist - Fredrik Johan Ekdahl

Lyricist - Martin Bo Erik Erikson

VELVET OCEAN

Riitu & Mister Lordi  2026

LINE-UP

Riitu Ronkainen  Lead vocals, programming

Jake Ronkainen  Guitar, Vocals

Tuomas Vesa  Bass

Jami Alaverronen  Keyboard

Arto Alikoski  Cello

Markus Määttälä Drums

Various circumstances led to a lengthy hiatus for the Finnish band. But their love for music remained undiminished, as VELVET OCEAN will soon demonstrate - a new single was released on May 15, featuring none other than Mr. Lordi!

That sounds doubly exciting, since the globally popular monster rockers Lordi are the only Finnish band to date to have won the Eurovision Song Contest! But that's not all:

Lordi will perform as part of a special intermission act at the 2026 Eurovision Song Contest final in Vienna on May 16, the day after the release of the new single.

Currently, the talented band from Oulu is also busy finishing their second full-length album. Five singles have already been released from this album: "My Life", "Rage", "Take Me Away", "Forever" and the Muse cover "New Born".

In addition, VELVET OCEAN is currently recording a special concept EP themed around the 90s, which will feature the upcoming single on its tracklist.

My Recommendation

"Life!", Velvet Ocean's single featuring Mr. Lordi, is a nostalgic, rhythmic song with that 90s rock feel and a modern musical style. The song is catchy and energetic, a slightly melodic metal version with an alternative touch, featuring Mr. Lordi's powerful, raspy vocals, which provide a strong counterpoint. As I mentioned, the song's style and sound blend melodic alternative metal with 90s Eurodance, creating a great nostalgic vibe! The clean, powerful vocal lines are combined with Mr. Lordi's characteristic raspy roar. It's a great single; let's hope for a similar album with this unique combination of sounds and styles!

Score

10/10

Info

https://www.facebook.com/velvetoceanband

https://x.com/VelvetOceanOfcl

www.youtube.com/@velvetocean

https://www.instagram.com/velvetoceanofficial/

Heaven's Falling!

The Review!

 

By Darkzen

02/08/2026

 

Power metal fighting for the Throne

Inspired by epic dark fantasy storytelling, Shadowborne creates a brand new power metal lore shaped by struggles, loyalty, betrayal and destiny. The sound of the Swedish band is heavy and cinematic, built on massive riffs, driving rhythms and strong melodic hooks. Some tracks feel like battle hymns, others are darker, more atmospheric, almost like the calm before a storm.

Lyrically, “Heaven's Falling” explores honor, exile, inner conflict and the cost of ambition; it reflects a world where families rise and fall, where fire can both destroy and purify, and where strength is tested in the coldest of nights. The stories may feel mythical, but the emotions are human.

Shadowborne uses fantasy as a mirror: behind the swords and flames lie themes that belong to our own world — power, identity, survival and choice. This is not about escapism, it is about intensity, standing firm when everything burns around you, and finding purpose in the dark!

Country: Sweden

Style: Power Metal

Members

Eira Shadowborne - lead and backup vocals

The Warden - guitar, keyboards, backup vocals

The Oathbearer - lead guitar

The Keeper - bass

The Warbringer – drums

 

Tracklist

Winter Is Coming (Heims Advenit)

High And Low

Wolf And The Queen

Custodians

Hold The Door

Heaven's Falling (Dragons' Hymn)

Strangers To Myself

The Wall

Raven

End Of The World

- debut album for the brand new Swedish female fronted power metal sensation

- aesthetically inspired by viking mithology and the massive hit ‘Game Of Thrones’ & ‘Vikings’ TV series

- FFO: Iron Maiden, Beast In Black, Battle Beast, Brothers Of Metal, All For Metal

 

My Recommendation

The debut album, Heaven's Falling, by the Swedish power metal band Shadowborne, as mentioned in the reference at the beginning of this review, is euphoric, cinematic, and direct. It also stands out for Eira Shadowborne's vocals, with highly singable and melodic choruses. The style fuses classic traditional power metal with modern vibes. Within the style and sound, it combines keyboards and harmonic and melodic guitars, evoking the energy of prominent bands in the genre, such as Battle Beast.

The lyrics and themes address dark fantasy, honor, exile, and ambition, which are common themes within the epic power metal genre.

The band starts with a powerful punch, combining intense harmonic melodies with the strength and force of modern metal. "End of the World" is a beautiful closing ballad that fully showcases Eira Shadowborne's vocal range and versatility, delivering an emotional performance.

A traditional power metal album, led by a beautiful vocal performance and supported by interwoven keyboard and guitar harmonies, epic and fantastic lyrics, and catchy choruses. They stay true to the established formula, delivering an energetic album in the classic power metal style—perfect for fans of classic power metal with female vocals!

Score

80/100

Link

https://www.facebook.com/profile.php?id=61586703462975

https://www.instagram.com/shadowborneofficial

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Nuclear Sun and Before the Dawn!!
The Singles!


The Review!

By Darkzen

22/08/2026

Info

“A delightfully winding, hook-filled song that starts off a little stealthily” 
–Jaakko Silvast, journalist / Inferno


Ambassador of melancholic metal, Segmentia releases “Nuclear Sun”, the second single from its upcoming debut album. The song plays with contrasts: delicate guitars give way to epic soundscapes while moods of hope and despair alternate. Almost cinematic and built on power metal foundations, the song is a tribute to songwriter Jere Luokkamäki’s years with Celesty.


 “For me as a composer, Nuclear Sun was the moment I stopped being cautious about my power metal background”, says Luokkamäki. 


 “I laid the foundation for the song on a work trip to Kajaani. The wintry surroundings of the small town and the soldiers on the streets once again got me thinking about the state of the world and how we treat this planet. At times humanity seems determined to bring disaster upon itself, and that is the feeling I wanted to bring into the song”, Luokkamäki continues. 


The band’s trademark melancholy strongly colours the universal message of Nuclear Sun.


  “Jere’s song was clearly an ode to nature, and it fell to me to finish the unfinished lyrics. The melody is at times almost cheerful, but it is above all the lyrics that underline the deep despair that so often consumes me as well”, says the band’s vocalist Kansana, who took part in writing the lyrics.


The performance video for the song is the band’s first of its kind and, at the same time, the second part of an audiovisual trilogy. Visually understated yet striking, the video successfully captures the band’s look and presence on stage. 


 “The setting of the video continues to root the band in the atmosphere of Southern Ostrobothnia. In Before the Dawn, the first music video of the trilogy, dawn was only just breaking. Now the core of the sun blazes in the sky at full force in the Nuclear Sun video, leaving no one untouched”, comments Tomi Salminen / Tojusa Media Oy, producer of the music video


With this release, Segmentia showcases another side of its musical identity. The song is now available on all streaming platforms, and the music video can be watched on the band’s YouTube channel.


LISTEN to Nuclear Sun on streaming services: https://push.fm/fl/segmentia-nuclear-sun 


Style Musical: Melancholic Metal


Line-up


Drums - Jere Luokkamäki
Bass - Stefan Laine
Guitar - Manu Lenkkeri
Vocals – Kansana

Segmentia - Nuclear Sun (Single 2026)
-Composed by Jere Luokkamäki
-Lyrics by Kansana/Luokkamäki

-Mastered by Svante Forsbäck, Chartmakers
-Mixed by Samu Oittinen, Fantom Studio

My Recommendation 

The single "Before the Dawn" (2026), with a release date of April 28, 2026,

by Segmentia is a song with a powerful, heavy, dark, and romantic introduction, featuring the beautiful vocals of Kansana. The Finnish melancholic metal band combines piano melodies inspired by the great band Paradise Lost with a guitar line and a delicate yet dense vocal performance. Regarding the musical style, frontman Jere Luokkamäki commented that the central piano melody was directly inspired by Paradise Lost and their song "One Second," so there's a clear musical influence.

The heavy, low-tuned guitar line and rhythms that alternate between fast and slow are the raw backbone of the song, contrasting sharply with the melancholic and enveloping keyboard and piano passages.

Mastering/Mixing: Mastered by Svante Forsbäck at Chartmakers and mixed by Samu Oittinen at Fantom Studio.

Segmentia's single "Nuclear Sun," released on July 23, 2026, has a somewhat theatrical and lighthearted opening with a power metal fusion accompanied by drums. The song then suddenly shifts from a heavier, harder rhythm to a lighter, softer one, creating a dark and melancholic atmosphere.

The song balances bright melodies with a profoundly pessimistic ambient message, despite the musical style that combines a delicate and clean guitar line with massive cinematic soundscapes, as mentioned, and a power metal foundation with double bass drumming, also mentioned.

Credits: Mixed by Samu Oittinen at Fantom Studio and mastered by Svante Forsbäck at Chartmakers.

Score

80/10

Links

https://segmentia.info 

https://www.facebook.com/8egmenti4 

https://www.instagram.com/segmentia 

ETERNITY!!

The Review!!

 

By Claudia Soto

 

22/08/2026​

 

Info

 

Nocturnal Eternity is an independent symphonic metal band from Târgu Mures, Romania, founded in 2020 by guitarist and composer Manache Mihály . His proposal combines elegant orchestral arrangements with guitars, drums and heavy metal elements, creating a powerful, dramatic and emotional sound.

Veronica 's extraordinary soprano voice. Fizeșan 's operatic vocals lend majesty and sensitivity to the compositions, while Alex Nasca 's deep, aggressive guttural vocals add power and drama. This vocal combination, along with the symphonic elements, allows each song to have its own distinct identity and significant emotional impact.

The Review

Their debut album, Eternity , presents a concept album exploring personal growth and the emotional experiences of humankind. The dragon serves as a central symbol of strength, vulnerability, sacrifice, inner struggle, and rebirth. Through their songs, they address themes such as dreams, effort, pain, heartbreak, hope, healing, transformation, and ultimately, personal triumph.

The tour begins with “ Fight” for "The Hope," focused on resilience and determination to fight for dreams without losing hope. "Live My Own " Fate " represents the sacrifice and hard work necessary to achieve one's goals. Later, " Feelings of Confidence " addresses inner fire, fears, and the need to unleash one's potential.

The story continues with “ Betrayed” by His " Love ," where the pain caused by deceit, betrayal, and loss of trust is reflected. "Are You the “One ” represents the arrival of a new hope capable of initiating a process of emotional healing. Then, “ Face” the " Trouble " shows the transformation and recovery of the person, facing their dark thoughts and regaining the desire to continue.

In “ Walk” In "With Me," the protagonist leaves loneliness behind and finds a deep and true connection with someone who can accompany him on his life's journey. Finally, " My Time Has Come" represents the culmination of the process: overcoming adversity, self-forgiveness, and triumph over one's own difficulties.

Overall, Eternity stands out not only for its combination of symphonic metal, orchestrations, heavy guitars, drums, and operatic and guttural vocals, but also for the emotional depth of its concept. It's an album that builds a progressive narrative in which pain and hardship ultimately transform into strength, hope, freedom, and rebirth.

Nocturnal Eternity demonstrates a solid and distinctive work, achieving a perfect balance between music and lyrics that convey emotions familiar to those who have experienced pain, doubt, disappointment, and overcoming adversity. For its musical, narrative, and emotional depth, Eternity receives a score of 95/100.

An epic, emotional and powerful album, where symphonic metal becomes the vehicle for a story of struggle, healing and rebirth.

Style Musical: Symphonic Metal

Band Members.

Molnar Szabolcs Bass

Manache Mihály Guitars

Veronica Fizeșan Vocals soprano

Tudor Moisil Drums

Alex Nasca Vocals

Track listing

Intro

Fight for hope

Live my own fate

Feelings of confidence

Betrayed by his love

Are you the one?

Face the trouble

Walk with me

My time has come

Eternity

 

Score

95/100

Links:

Facebook: www.facebook.com/Nocturnal.Eternity.Symphonic.Metal

Instagram: www.instagram.com/nocturnal_eternity/

YouTube: www.youtube.com/@NOCTURNAL_ETERNITY_RO

BandCamp : nocturnal-eternity.bandcamp.com/album/eternity

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